Showing posts with label The Sage. Show all posts
Showing posts with label The Sage. Show all posts

Saturday, 3 February 2024

WIP - Heritage / Glasshouse

 


WIP - Heritage / Glasshouse
(Acrylic on canvas board, 10x12 in)

A new one started yesterday. I expect the sky will become less apocalyptic as it progresses. The mausoleum is in the grounds of the Gateshead Heritage Centre (AKA St Mary's Church) and sits boldly in front of the modernist Sage Music Centre , recently renamed The Glasshouse. If there are moiré patterns on the image, I apologise - it's an effect of the canvas but will be gone in the finished painting.

Monday, 1 February 2016

Sketch Crawl # 6 : Baltic and Sage












(The usual and some not so usual suspects in the Baltic)

The weather is never really kind at this time of year and while it was a decent enough sunny day on Saturday for our sixth Sketch Crawl, the wind was howling a gale and icily cold. So meeting in the cafe of the Baltic was a good move and we had a good turnout: 7 or 8, unless I'm mistaken. But Mike likes to put the pressure on and said "Well, I'd like to try drawing outside for a while." Who there would say they thought it a terrible idea?

I tried to get out of the wind by walking round the side of the Baltic and standing on the narrow quayside path but I soon realised I was in something of a wind tunnel. Still, having decided to draw a boat on the other side of the Tyne, I set to and tried to ignore my streaming eyes. About an hour later, my freezing cold fingers (Note to self: remember fingerless gloves!) had made this rather shaky drawing. I tarted it up a little later on with some firmer lines and a grey brush marker.





















Across the Tyne 
(Black markers and blue and grey brush marker in A4 sketchbook)

It was a relief to meet up back in the Baltic on the observation deck, but the view from there is so complex that I think no one really fancied attempting it. So out we went again into the wind and climbed the stairs to The Sage.

The Sage is something of an intimidating space too, although I suspect that after a while it would be possible to get to grips with it. I eventually settled on looking down from the first floor gallery onto the tables of the cafe. For no particular reason, I decided to use a 4B pencil for this drawing and I have to say I enjoyed using it and like the result. The only problem with such a soft pencil is that it wears down very quickly and while sharpening it outside wouldn't be much of a problem, leaving pencil shavings all over the floor of the Sage probably isn't looked upon favourably by the staff.


























In the Sage 
(4B pencil in A4 sketchbook)

Next time : The Discovery Museum!