Showing posts with label urban scenes. Show all posts
Showing posts with label urban scenes. Show all posts

Saturday, 8 June 2024

Work Yard WIP


Work Yard WIP
(Acrylic on canvas board, 10 x 12 in)

The first few hours at Gateshead Art Society today left me with this scrubby start to a new, quite complicated painting of a work yard just round the corner from where I live.

I’m genuinely encouraged and find myself becoming more interested in the mundane urban imagery around me.


 

Friday, 12 January 2024

WIP - Kwik Fit

 


WIP
(Acrylic on canvas board, 10x12 in)

Another venture into local urban scenes. I spotted the potential of this garage on a trip to the podiatrist - it's just across the road from his premises. Early days, but I think it'll work.

Friday, 16 August 2019

The Portland and Burton House


The Portland
(acrylic on board, 25 x 25 cm)

I took a photograph of this Newcastle pub sometime in the 1980s but somehow never found a way into making a painting from it. The pub itself was demolished in 1992.

Recently, I completed a painting of another vanished pub, Burton House, demolished in 1992:


Burton House
(acrylic on board, 10 x 10 in)

Casting about for another similar subject, I tried to make something from the photograph of The Portland which I'd photographed at the same time as Burton House. Somehow it just didn't work and I abandoned it, painting over what I'd done.

And then I found myself looking at the work of Ed Kluz, with his lost great houses of England, standing out against very dark skies, and comparing them with my painting of Burton House. And that was when I realised I'd been trying to paint The Portland with a clear blue sky in an attempt to imbue it with some kind of cheerful memory. But it, and Burton House, really belong to the grimy past of Newcastle and fit not uncomfortably into that category sometimes known as the Northern School.

When I failed in my first attempt to paint The Portland, I decided I'd had enough of painting local urban scenes, long a staple of my output. With the success of this new painting (in my opinion, at least), I've had to concede that I'm still interested in the subject.