I usually approach this onerous task by looking at what I've written before and seeing if it can be tweaked, enlarged or fused with another piece of fluff I've written to come up with a text that reads like it might possibly mean something.
I've just done it again for a proposed Figure 8 show in Darlington. We've been given the show, in fact, but the dates are yet to be arranged. Looks like four shows in the bag for 2008.
Anyway, this is what I ended up adding to our proposal:
The majority of my work is derived from the urban environment. I have long been fascinated by the play of light on buildings and my paintings have been constructed on strong compositional underpinnings based on the effects of sunlight and shadow. However, I am also increasingly concerned with the role of figures in urban spaces, where the mood may be mysterious and unsettling, or riotous and turbulent. The tonal approach I originally employed has given way to a brighter palette where colour can be seen to carry the main thrust of the painting. In addition, a greater emphasis on frontality and gesture signify a renewed concern for the integrity of the picture plane.
I'm not sure that this necessarily applies to the work I've been doing recently, some of which I've posted here. But one of the uses I find for such a Statement is to tell myself what it is I want to do, what direction I want the work to take. Whether it works that way remains to be seen.