Sketch Crawl : St Thomas's Church, Newcastle

George Cross Island Assoc. Window

(Black marker and coloured pencil in A5 sketchbook)

On Saturday, the Tyne & Wear Urban Sketchers met up in St Thomas's Church in the Haymarket. I was a little late in getting there and some of the sketchers were already thinking of moving on to McKenna's Cafe at Northern Stage. 

I'd never been in St Thom's before and was surprised at how small it seemed inside: bigger on the outside than inside, a sort of inverse Tardis.

Maybe because I've been painting figures recently, I was attracted to a stained glass window commemorating the Siege of Malta and sat down in a pew to draw part of it.

I was interested enough in the window to look it up online later. It was designed by Helen Whittaker of Barley Studio in York and it's interesting to note that Barley Studio were responsible for making and installing the new window in Westminster Abbey, designed by David Hockney.

Malta Sketchbook #6: Tigne Battery - Clifftop

Tigne Battery - Clifftop
(Charcoal and compressed charcoal over two pages of A4 sketchbook)

OK, let's try to get this blog rolling again in its new home. Back to Malta, then, and my Malta Sketchbook from 1995. This is a view down onto a clifftop gun emplacement.

I'd be interested in hearing if you're still following this series of drawings. There are a few more in this sketchbook, and once I'm properly settled into this studio there should be new work to show you.

Malta Sketchbook #2: Tigne Battery 15 Sept

Tigne Battery 15 September 1995
(Charcoal and compressed charcoal over two pages of A4 sketchbook)

I went back to the Battery the next day and with two kinds of charcoal, got this image down. I loved the grooves of the concrete walls and the way the arm of the metal hoist curved across the darkened entrance.

Malta Sketchbook #1: Tigne Battery 14 Sept

Tigne Battery 14 Sept 1995 
(Charcoal, coloured Conte and 2B pencil, over two pages of A4 sketchbook)

A couple of days after arriving in Malta, I came across Tigne Battery. Barely discernible through graffiti (including a swastika), a commemorative stone read:

TIGNE BATTERY
RECONSTRUCTED 1937

Looking about, it was clear the Battery had been badly deconstructed after that, during the Seige of Malta in the Second World War, but to me it was immediately fascinating. Broken and stained concrete, rusting metal; what's not to like?

I hurried back to the hotel, collected my drawing bag and discarding the smaller sketchbook, got to work in an A4 sketchbook. This is the first drawing I did, showing the entrance to a gun emplacement, the gun having long been removed, of course. There's a long tradition of pictures looking through from one room to another and this a variant, I suppose. I like the feeling that something or someone may be waiting in that darkened interior.

The Malta Sketchbook

View of Malta, 12 Sept 1995 
(Pencil and watercolour over two pages of 6 x 8 in sketchbook)

OK, let's try to get this blog back on tracks.

I've only been to Malta once; I didn't much care for it. I know many people like the island and there are certainly quite a few artists who go there regularly to draw and paint, but though I've toyed with the possibility of returning, I've never been able to persuade myself that it would be worthwhile. Unless it were with the sole purpose of going back to Tigne Battery (more of which later).

If you're a Malta fan, let me put my case before you throw up your hands in horror. When I was considering a trip there, I asked a friend at work who had been there what he thought of it. His reply was succinct: "It's beige," he said. And so it proved to be. The island and all the buildings are made of limestone which, unlike the limestones of the Greek islands, is not white but, well, beige. I did this drawing of the capital Valletta, on the first day there and found the buildings just blended into one another such that I eventually gave up trying to sort it out. It's not a bad drawing (not very good either), but it didn't satisfy me at the time and still doesn't.

We were staying in Sliema on the northeast coast of the island and a bus took us to the hotel from the airport. On the way there, we fell into conversation with a couple who told us they had been holidaying on Malta for 25 years. They loved it. But it soon became clear they never went out during the day, not because they were vampires but because they were something much more exotic - sequence dancers.

It seems sequence dancing clubs are very big amongst a certain section of the British population and wherever British servicemen have been stationed, there you'll find a sequence dancing club. To cater for their passion, package holiday companies take them on holidays all over the Med - Cyprus, Gibraltar, Malta and the usual bits of Spain. It being too hot during the day to trip any light fantastic, They Only Come Out at Night.

So dancing in the dark is obviously one reason for Malta's attraction. The beer is pretty good, too, being British styled but lighter for the climate. However, when we were there the pubs and even the cafes stuck rigidly to an afternoon closing schedule which made life quite difficult. One day while sitting outside a pub finishing off a pint, they came and took away the umbrellas and left us in the fierce heat., yet there was still a good half hour of opening time to go. Sitting in a cafe we'd just got our sandwiches before 2 pm; five minutes later, other customers were turned away.

The buses were wonderful old machines, beautifully painted and decorated with rosaries and religious icons but all of them went into and out of the main bus station, which meant that if you wanted to go anywhere other than Valletta, you still had to go into Valletta bus station, change buses and out again. I understand there's been a shake-up of the transport now: the old buses have gone and Arriva has taken over. My experience of Arriva in this country doesn't make me any more cheerful to hear that.

Oh, let's finish on the food. I had the worst pizza of my whole life in a restaurant in Sliema. The wait for it was considerable and when it arrived there was a huge bubble in the pastry which had made the topping slide off to one side, leaving a dry lump of pastry bubble at the other side. I was so astonished and so very hungry that I didn't bother to complain.

So there you have it: not what I hoped for from a holiday. I was on the point of giving up on the idea of getting any drawing done when I discovered Tigne Battery. More next time.