The latest in my series of textured paintings of doors and walls. In making this, I learned a lesson in using different blues, ultramarine, cobalt and phthalo blue (green shade).
Knife Garden (acrylic on watercolor paper) All those who suggested I shouldn't touch this painting I produced with a painting knife at Tony Montague's workshop, may or may not be dismayed to find I couldn't let it lie. I said I didn't like the sky and I meant it, so I took my brush in my hand, dug out some different blues and painted over the rather scrappy, turbulent sky of the original. I think the new sky is calmer and makes the painting much less frenetic. Using different blues has left an interesting halo round the big tree and I like that effect. I'll probably leave it alone now. I've photographed the painting in a temporary mount, just to see how it might look framed.
Whitby Fudge WIP (Acrylic on board, 8x8 in) Moving slowly along on this one. Although I rather like working on these little paintings, I have to admit it's difficult getting any kind of detail on the figures which are necessarily very small. Do I need the detail? Who can say. It's just something I feel I have to do on this style of painting. Initially, I thought I was going to like the blueness of much of the painting, but now I've put in the woman's coat, I think I want a contrast. More thought needed.
Welcome to my blog. I'm a professional artist working in oil, acrylic and drawing. I'm still very much a figurative painter aiming at some kind of modern representation. I believe in the continuing value of painting and follow in its long and honourable tradition.