(acrylic on watercolor paper)
All those who suggested I shouldn't touch this painting I produced with a painting knife at Tony Montague's workshop, may or may not be dismayed to find I couldn't let it lie.
I said I didn't like the sky and I meant it, so I took my brush in my hand, dug out some different blues and painted over the rather scrappy, turbulent sky of the original. I think the new sky is calmer and makes the painting much less frenetic. Using different blues has left an interesting halo round the big tree and I like that effect. I'll probably leave it alone now.
I've photographed the painting in a temporary mount, just to see how it might look framed.