Showing posts sorted by relevance for query balconies. Sort by date Show all posts
Showing posts sorted by relevance for query balconies. Sort by date Show all posts

Friday, 8 February 2008

Crash Survivor

Here's a conundrum. You find that after a computer crash, all the program drivers for your devices - graphics cards, sound cards, modem, CD-ROM - are corrupted or missing. All the drivers are available on the disks you've carefully stored away, or can be downloaded from the Internet. But you can't run the disks because the CD-ROM won't work because the driver is corrupted or missing. And you can't download the drivers because the modem won't work because the driver for the modem is corrupted or missing so you can't connect to the Internet ...

What do you do in a situation like that? Well, what you do if you're me - which you're not, but for the purposes of this exercise, you can pretend - is you sit and fume for a while, you try everything you can think of, to no avail, and then you send for a Computer Man and pay him money to put it right.

It's always interesting to look through the list on the Sitemeter to see what referrals to Boogie Street there have been. Given the recent lay-off due to computer problems, there was a nice long list to browse through, so trends were more noticeable than might otherwise be the case.
For a blog more or less devoted to painting, it's quite a chastening experience to find that a sizeable proportion of my visitors came wandering down Boogie Street in search of, first of all, the meaning of the words "Boogie Street," then the standing stones on Machrie Moor, Chip Chadbourn, a drawing of a banana palm (at least it's my drawing) but more importantly than anything else, whatever happened to Jimmy Nail.

At the Art Club on Thursday, I found myself between pictures, so I pulled out one of my neglected earlier pictures. It's a double set of balconies in Crete which was fighting me a while ago. I think I may be making headway with it now.
Balconies (Work in progress)

Saturday, 11 June 2011

Four Balconies, Crete


Four Balconies, Crete (Oil on board, 12 x 12 ins)

Saturday's not usually a painting day for me, but while Pat's away having fun in London, I thought I'd press on with Finishing Off. Here's one I don't seem to have touched for just over three years. Maybe it's because I've strengthened my colour sense in the intervening years, but today it moved along very well. Well enough to reach completion, in fact.

Oh, I do like it when things go well, don't you?

Sunday, 10 June 2018

Fisherman WIP


Fisherman WIP
(acrylic on board, 9 x 9 in.)

I'd intended to push on and finish the two balcony paintings, but Friday morning dawned and I knew I'd need to find something to do at Gateshead Art Society. Finishing small details on the balconies didn't feel like an option, so I looked at the suggested project for the day - "Maritime Subject" - and turned to a recently abandoned figure painting. My regular reader may recognise it as the man in a garden:



The man in the garden was never going to earn his keep, so he's become a fisherman on a beach, probably somewhere in Madeira (but not necessarily). 

I'm liking this version much more and will finish it soon. Yes, along with all the others!

Friday, 7 March 2008

Back on the Grand Canal


Vaporetto 3 (work in progress)

I returned to this other vaporetto picture yesterday determined to move it along. I've knocked in rather roughly a new background which I think will work well. At the moment it needs pushing further back and the columns, balconies and windows need development, but it looks OK today and I'm not disappointed with yesterday's work.

I'd have preferred to work on it again today, but there's still a tackiness to the paint, so I'll have to be patient and turn my attentions elsewhere.

Sunday, 22 October 2006

Venice


Venetian Wall (Oil on canvas, 40 x 40 cms)
I went to Venice for a week in 1997. This painting was one of the results of that trip and I've wanted to go back ever since. Earlier this year, I sold a picture for a decent price, so Patsy123 and I decided it was time to go back, this time for two weeks.

These are just some thoughts I wrote down shortly after our return

Venice was everything I remembered and more. I think I could happily live there. Even the heavy rain we got in the last couple of days didn't put me off. Indeed, while Buddy K and his wife were with us for a few days, we were hatching a plot to go back for a visit in the Winter (of some unspecified year).

The little bridges over the canals showed up a minor disadvantage of roller-cases. "These damn bridges," said an exasperated American tourist. "Why didn't they just build everything on the same level?" By which I guess she meant they should have raised the ground level by at least twenty feet - this, in a city where the ground level is already supported on piles driven into mud.

We wandered for hours every day, side-tracked by little alleys that might lead to a dead-end or a canal, but could just as easily open out into a delightful little campo, with kids playing in the pools of rainwater.

The Jesuits were not popular in Venice during the Republic, but when they were eventually given more permanent status, they really pushed the boat out in building their first church there - Gesuiti. It's the most vulgar palace of kitsch imaginable. They coated the entire inside with green and white marble, inlaid so as to look like the finest curryhouse flock wallpaper. And the balconies have huge swags of drapery all carved from green and white marble. The weight of all this grandiosity means that the church has suffered from subsidence ever since

Looking at paintings took up a greater part of the trip this time.

The Peggy Guggenheim is always worth a visit - Max Ernst's "Robing of the Bride," Picasso's "On the Beach" and Robert Motherwell's "Personage," to name but three I was glad to see again.

And the great collection in The Accademia. Amongst the many treasures there, of course, is Paolo Veronese's "Feast in the House of Levi" which eventually inspired a Monty Python (or was it Secret Policeman's Ball) sketch

But this time, ah this time I got to see the Tintorettos. After a spell-binding time with Titian's "Assumption of the Virgin" in the Frary, we went round the corner to the Scuola Grande di San Rocco. Blimey. After agreeing to the contract for the first painting there, Tintoretto (who,incidentally, is alleged to have been able to tell the difference between forty different reds) accepted a commission to spend his life filling the place with yet more. There are somewhere around sixty pictures by him .And all of them breathtakingly daring in their use of composition, perspective and light.

I like the description in The Rough Guide of the first picture to greet you as you enter (although it was painted in later life):

The tempestuous 'Annunciation', with the Archangel crashing into the room through Joseph's shambolic workshop, trailing a tornado of cherubim...

... scaring the life out of Mary who was getting on with her sewing. You can see the picture here.

The trip was not without its mishaps. I'd completely forgotten about the Mosquito Menace, and was bitten rather badly before we could get to a pharmacy to buy preventative measures and oils and unguents. Even with those, however, they got to me, and I do tend to respond rather unfavourably. As a result of a bite on my finger, I woke up in the middle of the night with a hugely swollen finger and a signet ring inclined to cut off the blood supply. I managed to keep it from turning blue, but had to find a jeweller the next day who could cut off the ring for me

A couple of days later, I woke up with my face badly swollen on the left side. Took two or three days for the swelling to go down with the aid of yet more stuff from the pharmacy and I was forced to go round with what, in my childhood days, would have earned me the ultimate insult - a fat fyess.

Later in the holiday, I evidently let one of the little buggers get up my right trouser leg when out to dinner. The next day I had 8 bites on the leg which gradually developed into coffee-saucer sized scarlet areas of painful itch

Despite all of this, I never wished I was anywhere else. One day we went to the Lido to look at some rather neglected Art Nouveau houses. Within minutes of getting there, we were pissed off with the automobile traffic and yearning to getting back to Venice itself where you can wander about and never think of getting run over.

Oh, and just about everything else. One night, the four of us went to a concert in Chiesa San Vidal in Campo San Stefano. Given by a group called Interpreti Veneziani who performed Vivaldi's Four Seasons, a Mozart piece and Folies d'Espagne by Marin Marais. It was splendid -- especially the Four Seasons, each of which were led in turn by one of the four violinists; and the Marais, when the cellist took centre stage and played the cello with every inch of his body, flinging his sweat-soaked long hair at the audeince

And then there were the bottles of Prosecco, glasses of spritz with Campari, plates of fegato, bowls of fish soup overflowing with mussels, clams, prawns, squid, and langoustine, excellent grilled sea bream, buns and pies, the fun of travelling everywhere by vaporetto, and above all, helpful pleasant people who never seemed to feel it was more than their job's worth to help where they could

I can't wait to go back

Sunday, 30 May 2004

I'm worried about Zip .......


Great North Run (oil on canvas, 48 x 48 ins) Posted by Hello
Not a good photograph, but....

I do like living with my paintings. There's no-one to object, so I now have my pictures standing about in the living room, leaning against the furniture, quite regularly. As I regard them as my children, I suppose that's not too strange.

But I don't do it because I have an over-inflated opinion of them. On the contrary, I keep them there to remind me of where I've been going wrong, or how I might improve.

Don't get the idea that Stately Zip Mansion is something of an art gallery. I wish there were more walls to hang things on , but a great deal of my wall-space is taken up with book shelves. (Not as much as the Frootbat's, perhaps, but then I don't spend as much time in the loo as he evidently does - seven shelves of books? Come on!) What space I have is given over to etchings and paintings by people I appreciate and one or two I can barely afford. Would that I had the space and the money ....

Today turned the place into rather more of a gallery than normal, however.

I've been examining the pictures I got back from the Biscuit Factory last week. I need to decide how much work will be required to repair the scratches on each and every frame (OK, so they're proud that they're a "shop" and not a "gallery" - is this how you treat your merchandise?). In addition, several of the Balconies of Crete series are still standing about, mourning the loss of one of their number to the avaricious (but kindly) True Rat.

For some reason, I've not yet tired of looking at two of the pictures I sent to the Royal Scottish Academy Summer Exhibition. They tired of them instantly, but I keep thinking there's another series to be followed up, if only I can *grasp* it.

And then Dismal D phoned to say he wanted to bring back the paintings which didn't sell in London last month. And so he did, though it took three phone calls for him to find me again, the third from just outside the door to ask what number I live at (you'd think he'd be able to recognise the imposing gates....).

So now I have another four pictures in the living room. And one of them is the four foot square Great North Run, shown above.

I had very little time to get used to this one - it was whisked off to London almost before the paint was dry - so I began to have my doubts about it. Now it's here again, I can get to know it better. We can become friends.

And then I'll think about giving it a little brother or sister.